Join us for a workshop that immerses you in the physical, intuitive, and theatrical language of Ultima Vez. Over the course of five full days, you will enter the company's unique approach to movement, creation, and performance - a practice in which intense physicality, intuition, and theatricality are inseparable.

A look at the fantastic premiere of 𝗪𝗵𝗮𝘁 𝘁𝗵𝗲 𝗕𝗼𝗱𝘆 𝗗𝗼𝗲𝘀 𝗡𝗼𝘁 𝗥𝗲𝗺𝗲𝗺𝗯𝗲𝗿 in a sold-out Philharmonie de Paris. With music by Thierry De Mey & Peter Vermeersch, performed live by Ensemble Intercontemporain.

Director and choreographer Wim Vandekeybus takes on one of the largest productions that Opera Ballet Vlaanderen has ever staged, with, in addition to the Symphony Orchestra, ten soloists, the entire Chorus and Children's Chorus, and a whole host of dancers. On the one hand, Vandekeybus works out the deeper psychology of the characters through his characteristic and intense movement language. On the other hand, he uncovers a ritual layer that exposes the intuitive and almost mythological power of the work.

For the first time, and as part of its new educational programme, Ultima Vez is opening an intensive workshop dedicated to the artistic and practical process of composing music and designing sound for film, dance, theatre, and documentary.

Join us for a workshop that immerses you in the physical, intuitive, and theatrical language of Ultima Vez. Over the course of five full days, you will enter the company’s unique way of approaching movement, creation, and performance on stage – a practice where intense physicality, intuition, and theatricality are inseparable.