German Jauregui

German Jauregui is a dancer, choreographer and teacher based in Brussels. In 1998 he joins the company Ultima Vez/Wim Vandekeybus, and participates in the creation and touring of the pieces: In spite of wishing and wanting (1999), Inasmuch as life is borrowed (2000), What the body does not remember (Revival of 2002 and 2013), Blush (2002), Sonic Boom (2003), Puur (2005), Spiegel (2006), Scattered Memories (2022).

He participates also in the dance films: In spite of wishing and wanting (2002), Blush (2005), Here after (2007), and in the short-films: The last words (1999), Inasmuch… (2000).

He works as movement assistance in the pieces: Scratching the inner fields (2001), In spite of wishing and wanting (revival 2016), Mockumentary of a Contemporary Saviour (2017), Go Figure Out Yourself (2018), Traptown (2018), Puur (2018) revival for the Royal Swedish Ballet, Bakchai (2019) piece for the Residenztheater Munich, Traces (2019).

Since 2021 he works with the company Oester, he dances and choreographs the pieces Dance of the seven veils (2021), The wild stage (2022) and Styx (2022).

He also collaborates with Loïc Touze, Idoia Zabaleta/Moare danza, Side-Show, Seppe Baeyens, and participates in the international project Sites of imagination (2007) and in the documentary Los caminos de la memoria (2009) directed by Jose Luis Peñafuente.

In 2007, he starts to develop his own work with the creation of the pieces Isaac (2007), Sunset on Mars (2009), Confession (2013). Together with the choreographer Antia Diaz Otero, he creates Isaac y Diola (2016) and Rassemblement (2019).

As a Guess choreographer he creates pieces for companies in Spain, Belgium, Mexico and Canada. In parallel, he teaches workshops internationally.